I graduated from the Department of Scenography (2018) at the Academy of Fine Arts in Warsaw.

During my studies, I spent a semester in Berlin, studying at the Hochkunstschule Weissensee, while simultaneously working at the English Theater in Kreuzberg as an assistant set designer. During that time, I also worked with young artists on short films, independent projects and music videos.

At the age of 21, before starting my master’s degree, I started working with set designer Tomasz Kulesza, thus entering the world of advertising services. I worked with the duo Wolf&Lamm (‘Petco’), Los Pérez (‘Kaufland’, ‘El Corte Ingles’), as well as Philippa Price (‘Ana Airlines’, ‘Puma x Balmain’) – in the latter two, I was an interior decorator for the American set designer Deborah Evans.

The following years brought me new challenges – work on my first feature project (‘Wszystko dla mojej matki’ directed by Małgorzata Imielska), as well as cooperation with an outstanding Polish set designer, Janusz Mazurczak, with whom I worked on the largest Polish feature and advertising productions (‘The Mire‘97’ by Jan Holoubek, ‘Green Glow Gang’ by Tadeusz Śliwa, ‘Dziki sad’ by Bartłomiej Ignaciuk, ‘Męskie granie 2019’ by Allan Willmann), and later, as a duo, I made my debut as production designer on the series ‘The Mire – Millenium’ by Holoubek.

In 2023, the filming of the feature film, on which I was an independent production designer, ended – ‘Boxer’ directed by Mitja Okorn, produced by Netflix.

Working on the set is both the desire to convey the message of the director, DOP and my artistic vision, as well as caring for my co-workers. I have been building my team for years, so today, thanks to this understanding of the work of a scenographer, I benefit from the support of the best artists and specialists in the polish industry. My advantage is building lasting friendships based on mutual respect, and taking care of comfort and a good atmosphere in the art department even in the most demanding projects.

I hope to see you on set!